She has been published in numerous VASTA journals and has authored chapters in the books Voice and Speech Training in the New Millennium: Conversations with Master Teachers, The Complete Voice and Speech Workout, and More Stage Dialects.īrian Byrnes (Movement Coach) previously worked on The Old Globe productions of Red Velvet, Rain, Arms and the Man, The Twenty-seventh Man, and The Winter’s Tale, and The Old Globe and University of San Diego Shiley Graduate Theatre Program productions of The Two Gentlemen of Verona, As You Like It, Pericles, Much Ado About Nothing, and Measure for Measure. Gist has taught workshops at London’s Central School of Speech and Drama and the International Voice Teachers Exchange at the Moscow Art Theatre in Russia. She is an original member of the Voice and Speech Trainers Association (VASTA), and she has presented at numerous conferences in addition to Voice Foundation’s conferences. Jan Gist (Vocal Coach) has been the voice, speech, and dialect coach for The Old Globe on 89 productions, and she has coached at theatres around the country including Ahmanson Theatre, La Jolla Playhouse, Oregon Shakespeare Festival, Shakespeare Theatre Company, American Shakespeare Center, Utah Shakespeare Festival, Alabama Shakespeare Festival, Arena Stage, San Diego Repertory Theatre, North Coast Repertory Theatre, Milwaukee Repertory Theater, PlayMakers Repertory Company, Indiana Repertory Theatre, American Players Theatre, and Mo`olelo Performing Arts Company. in Costume Design from UC San Diego, where she is currently an adjunct lecturer. Benzoni’s assistant costume design credits include Les Dialogues des Carmélites (Teatro Petruzzelli in Bari, Italy), Paradise Found (Menier Chocolate Factory, London), Milk Like Sugar (La Jolla Playhouse), and As You Like It and A Midsummer Night’s Dream (The Old Globe). Awake and Sing!, Emilie: La Marquise Du Châtelet Defends Her Life Tonight, Sylvia, and Much Ado About Nothing (New Village Arts), and Snakeskin, Lifeblood Harmony, Chagall, and A Man Found Wanting (Malashock Dance). Her other select credits include Constellations (The Old Globe), Sex with Strangers (Geffen Playhouse), The Who and The What, Our Town, Tall Girls, Brahaman/i, and Sam Bendrix at the Bon Soir (La Jolla Playhouse). She is Resident Costume Designer at North Coast Repertory Theatre, where she has designed Craig Noel Award-nominated productions. Running time: 2 hours and 40 minutes, including one intermission.Įlisa Benzoni (Costume Design) previously designed The Two Gentlemen of Verona, Reckless, Much Ado About Nothing, Measure for Measure, and Pericles for The Old Globe and University of San Diego Shiley Graduate Theatre Program. Private Funding for The Old Globe/USD Shiley Graduate Theatre Program has been contributed through a generous endowment established by Donald and Darlene Shiley.Īdditional funding for the program is provided by Terry Atkinson, the Dorothy Brown Endowment Fund, and the Louis Yager Cantwell Foundation. Additional support for the program is provided by the Dorothy Brown Endowment Fund and the Louis Yager Cantwell Foundation. Private funding for the Master of Fine Arts in Theatre program has been contributed through a generous endowment established by Donald and Darlene Shiley. Acclaimed San Diego director Delicia Turner Sonnenberg’s audacious modern production goes beyond sentimental stereotypes to reveal the raw and powerful love story that ignites an inferno in a dangerously divided community.Ī joint venture of the Globe and USD, the Shiley Graduate Theatre Program trains seven select students in an intensive two-year course of graduate study in classical theatre. When Romeo Montague and Juliet Capulet meet by chance, the two lovers defy their entire world to be together. The Montague and Capulet families are at war. The Old Globe and USD Shiley Graduate Theatre Program
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